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Silver Age of comic books

Origin of term
comics historian and movie producer Michael Uslan traces the origin of the "Silver Age" deadline for the letters column of Justice League of America # 42 (February 1966), which was released December 9, 1965. Letter-writer Scott Taylor, of Westport, Connecticut wrote: "If you keep bringing back the heroes of the [1930-1940] Golden Age, people 20 years from now called the decade of the Silver Sixties! "According to Uslan, the natural hierarchy of gold-silver-bronze, as in Olympic medals, took it." Fans immediately in this Glomma, refined, so more directly in a Silver Age version of the golden age. Soon, it was in our vernacular, in place of expressions such as … "Second Heroic Age of comics or The Modern Age 'of comics. It was not long before dealers … specifying that it was a golden age comics for sale or a Silver Age comic book sale. "
History
Background
Superman, as shown in a 1941 Fleischer Studios cartoon was created during the Golden Age of comics.
Crossing the Second World War, when the comics provided cheap and disposable escapist entertainment that can be read and discarded by the troops, the Age Gold covered comics in late 1930 to late 1940. A significant number of superheroes were created during this period, including Superman, Batman, Wonder Woman and Captain America. The statement of the so-called Atomic Age followed, between 1945 and 1956, but in later years comics were blamed for an increase in Juvenile crime statistics, despite this increase has proven to be in direct proportion to population growth. When juveniles admitted to reading comics, which was made as a common denominator was a notable critic Fredric Wertham, author of Seduction of the Innocent (1954), who tried blame for juvenile delinquency of parents of children who read comic books. The result was a decrease in the comics industry. To address the public concerns in 1954, the Comics Code Authority was created to regulate and control the violence in comics, marking the beginning of a new era.
DC Comics
The Silver Age began with the publication of DC Comics Showcase No. 4 (October 1956), which introduced the modern version of Flash. At that time, only three superheroesuperman, Batman and Wonder Womanere still published under their own titles. According to author Jacobs DC Comics, Superman was available in "many, but little quality. "Batman was better, but his comics were" mediocre "compared to its previous" adventures atmosphere "of the 1940s, and Wonder Woman, having lost her original writer and artist, was no longer "idiosyncratic" or "interesting." Jacobs describes the arrival of Showcase # 4 on newsstands as "begging to be bought," the cover featured a rolling filmstrip that represent running Flash so fast that he had escaped from the structure. editor Julius Schwartz, writer Gardner Fox and artist Carmine Infantino were behind the revitalization of Flash.
Julius Schwartz, a pivotal figure in DC during the Silver Age.
With the success of Showcase # 4, 1940 several other superheroes were being reworked during Schwartz mandate, including Green Lantern, Atom, and Hawkman and the Justice League of America. The artists responsible for CC include Murphy Anderson, Gil Kane and Joe Kubert. Only the names of the characters remains the same, their customs, places, and identities were altered, and imaginative scientific explanations for their general superpowers took the place of magic as a modus operandi in their stories. Schwartz, a science fiction fan for life, was the inspiration for Green Lanternhe re-imagined Golden Age character, railway engineer Alan Scott, had a ring powered by a magic lantern, but its replacement Silver Age, the test pilot Hal Jordan, was a ring powered by an alien and created by an intergalactic police force.
In mid-1960, DC established the characters that appear in comics published before the Silver Age Earth lived in a parallel of the company called Earth-Two. The characters introduced in the Silver Age and thereafter lived on Earth-One. It was established that the two realities separated by a vibrational field that could cross, you must include a history of different worlds superheroes teamwork above.
Although the flash is generally regarded as the first superhero of the Silver Age, the introduction in Detective Comics Martian Manhunter # 225 is earlier Showcase # 4 in almost a year, and some historians believe that this character of the first Silver Age superhero. However, comic Craig Shutt historian, author of the column in Comic Buyer's Guide "Ask Mr. Silver Age", disagrees. Shutt said that when the Martian Manhunter debuted, was a detective who uses his alien abilities to solve crimes. Though he did eventually become a founding member of the Justice League America, which originally was only a detective in "extravagant", like other contemporary DC characters were "detectives TV detectives India, supernatural detectives, [and] animal detectives. "Schutt feel the Martian Manhunter just became a superhero in Detective Comics # 273 (November 1959), when he received a secret identity and other accoutrements of superheroes. Schutt said, "If Flash is not going, I doubt that the Martian Manhunter had carried the burden of its reserve position in the detective in a new era of superheroes. "Another hero that predates Showcase # 4 is Captain Comet, which debuted in strange adventures # 9 (June 1951). Comic Book Resources columnist Steven Grant is considered the first Silver Age superhero.
Marvel Comics
The Fantastic Four # 1 (November 1961), the cornerstone of Marvel Comics. Cover art by Jack Kirby (artist) and unconfirmed inker.
DC Comics led the rebirth of the superhero with his publications from 1955 to 1960. Marvel Comics then took advantage of the renewed interest in narrative sophisticated superhero stories and characterization. Unlike previous eras, Silver Age characters were "flawed and self-doubt.
DC added to its momentum with its introduction in 1960 Justice League of America, a team of the company's most popular superhero characters, Martin Goodman, a publishing trend-follower with its 1950 Atlas Comics line, a note addressed to his comics editor, Stan Lee, to create a series about a team of superheroes. Lee recalled in 1974 that "Martin mentioned that he had noticed one of the titles published by National Comics seemed to be selling better than most. Era a book called The [sic] Justice League of America and was staffed by a team of superheroes. … "If the Justice League is selling ', he said," Why do not we get a comic book featuring a team of superheroes? '"Fantastic Four Marvel Comics was the result.
Under the direction writer / editor Stan Lee and artist / co-conspirators, Jack Kirby and Steve Ditko, Marvel began his own rise to prominence. Introduction to drawing a characterization more dynamic and sophisticated superhero comics, Marvel began targeting young readers and college-age, in addition to market children. Based on the success of The Fantastic Four, Lee and his artists created new eleven series in the next two and a half years, with Spider-Man and, after a start slow, the Hulk among the most popular new characters. Other significant and enduring Silver Age Marvel heroes including Iron Man, Thor, Daredevil, the X-Men, and Marvel itself of the stars of the group, the Avengers. Captain America and a hero of the Golden Age, was restored in Avengers # 4 (March 1964).
Comics historian Peter Sanderson comparing the 1960 DC to a major Hollywood studio. Having reinvented the superhero genre, for the last part of the decade he believes that DC was suffering of a creative drought. The audience for comics was not just children, and Sanderson 1960 sees the Marvel comic as the equivalent of the French New Wave, development new methods of storytelling that attracted and retained the readers who were teenagers and older and therefore influence the comic book writers and artists of the future. Comics historian Craig Shutt DC and Marvel compares different styles according to Schutt, the heroes of DC were clear in their relations with each other, quickly join together to defeat a enemy. Unlike the heroes of Marvel trust each other less, and often oppose each other before settling their differences and unite against a common enemy. approach DC to resolve a conflict between the heroes without violence Marvel "addressed to the age-old-kid little doubt of which the hero would win in a fight."
Other publishers
Harvey Comics focused on children during the Silver Age characters like Casper, seen here in a cartoon, 1948.
One of the editors top comics in 1956, Harvey Comics discontinued their horror comics when the Comics Code was carried out and requested a new target audience. Harvey spent approach children from 6-12 years of age, especially girls, with characters like Richie Rich, Casper, and small spot. Many of the listed company's comics girls that "challenges stereotypes and sent a message of acceptance of those who are different." Other publishers, such as Dell Comics and Gold Key Comics, made similar changes. Though his characters have inspired a number of nostalgic films and scales of goods, Harvey comics of the era are not as appreciated in the market for collectors as DC and Marvel titles.
With the popularity of the television series Batman, in 1966 the editors who had specialized in other forms began adding titles superhero lines. In addition, new editors stood up, often using the creative talents of the golden age. Double Dare Harvey Comics published adventures starring new characters such as B-Man and Master Magic. Dell Comics superheroes published versions of Frankenstein, Dracula and the Wolfman. Gold Key Comics published versions licensed television shows like Captain Nice, Frankenstein Jr. and the impossible, and followed the adventures of the character Goofy at Walt Disney Pictures Supergoof. Charlton Comics published a short line of superhero life with new characters including Captain Atom, Judo Master, "the question, and the lightning. American Comics Group issued Herbie character established a superhero secret identity as the fury of fat, and introduced the characters and Magic nemesis Man.Even-acquired the iconic Archie Comics super teens and identities of superheroes in comic titles like Archie as Pureheart the powerful and Jughead as Captain Hero.
Archie Comics also launched its own standard, the characters in superhero comic. Archie Adventure line (later called Mighty Comics) included Fly, Jaguar, and the Shield, the refurbished Golden Age hero. The success of the Avengers and Justice League of America asked Archie to create your own team title, Mighty Crusaders, who saw the comet and flygirl join three characters with their own titles.
The series of Archie superhero fare typical mixed with a camp style of the 1960s' television series Batman.
One of the new publishers emerged briefly in the 1960s was Ray Comics, which published three editions of the Human Fatman Flying Saucer by Otto Binder and CC Beck, the writer and artist team responsible for many of the Golden Age Captain Marvel stories. Another was MF Enterprises which published five issues of a series also called Captain Marvel, which was a new character of Carl Burgos, creator of Golden Age Human Torch, not bore some relationship other than a joke references to the Golden Age Captain Marvel.
Most of these new series began in 1966 or 1967 and did not last more than a year. Tower Comics, which published the likes of Dynamo, Noman and Agent submarine, was lived longer, his flagship title Storm debuted Agents in late 1965 and lasted 20 issues, ending in 1969.
According to John Strausbaugh The New York Times, the traditional comic book historians feel that despite golden age deserves a study, the only notable aspect of the Silver Age was the arrival of comics meters. One commentator has suggested that underground comics are considered legitimate art because they were written and drawn by one person generally, artists like Robert Crumb and Gilbert Shelton described as raw produced comics and instinctive. Although most of the time comic books were pure fantasy, directed adults and underground comics reflected the counterculture movement of the time, which is by ad-hoc printing and publishers distributed in stores in the head.
End
Artist Neal Adams, whose work with writer Denny O'Neil Green Lantern / Green Arrow marks a chance for the final of the Silver Age.
Several events have been identified as marking the end of the Silver Age. One of them was the 1969 publication comics in the last 12 percent, while others have focused on the publishers who were the driving forces: Marvel and DC. According to the will of Jacobs, the Silver Age ended in April 1970 when the man who had started it, Julius Schwartz, Green Lantern delivered Denny O'Neil and Neal Adams in response to reduced sales. John Strausbaugh also connects the end of the Silver Age Green Lantern. Notes that in 1960, the character embodied the power, the optimism of the time, states: "No suspicion in the world than at any time I can be powerful Green Lantern power ring with my incredible and invincible green beam! Wow, what a feeling it is! "Without But in 1972, Green Lantern had become weary world, "Those days are past the days gone forever, I had some confidence … I was so young … so sure that he could not make a mistake! Young and cocky, he was Green Lantern. Well, I've changed. I'm older now … perhaps wiser, too … and much less happy. "Strausbaugh writes that the Silver Age" came out with the whimper. "Comics scholar Arnold T. Blumberg places late Silver Age in June 1973, when Spider-Man's girlfriend Gwen Stacy was killed in a later story arc called "The Night Gwen Stacy Died", saying the era of " innocence "ended with" heard round complement "to the amazing world of comics, nasty crack of bones that announced the death of Gwen Stacy."
Aftermath
The Silver Age of comics was followed by the Bronze Age. The demarcation is not clearly defined, but there are a number of possibilities. Scott, Comic Resources, lists of commonly cited touchstones, including personnel changes and the publication of certain specific issues. Between the latter are Conan # 1 (1970) and Green Lantern / Green Arrow # 76 (April 1970), "often cited as the early books of the Bronze Age." He also motion observed Jack Kirby for Marvel to DC in 1970, and Superman editor Mort Weisinger retirement the same year. Another possible candidate is the return of horror comics, and the arrival of stories with consciously fostered social relevance. T Arnold Blumberg has argued that the change was gradual process that lasted from late 1960 until 1973, ending with the death of Gwen Stacyn "If the name of many as the most memorable moment on the fan in the collective memory." Write that there will by creators and publishers to tackle more mature themes, but "filtered through the lens a bit simplistic" super hero, thus ending "The joyous, carefree Silver Age."
Alan Moore, who started the movement "the neo-silver" with a history of Superman 1 986
By historian Peter Sanderson, the "neo-silver" movement that began in 1986 with Superman: What happened to the Man of Tomorrow? by Alan Moore and Curt Swan was a reaction against the Age of Bronze with a return to the principles of Silver Age. According to Sanderson, every generation of comic rebels against the previous one, and movement was a response to the Crisis on Infinite Earths, which was an attack on the Silver Age. Neo-silver comics comics creators fact recognized and assimilated the more sophisticated aspects Silver Age.
Legacy
The Silver Age was a decline in the prominence of comics in genres such as horror, romance, humor and cute animals teen, or westerns, which were more popular than the adventures of superheroes in the 1940s to the mid-1950s, and fans of these genres see Silver Age as a decrease from the previous period.
An important feature of the period was the evolution of the composition of the superhero characters. Young children and girls were targeted during the Silver Age by some publishers, including Harvey Comics attracted to this group, with titles such as Little Dot. Metro adult oriented comics also began during the Silver Age. There are several evaluation criteria proposed for the Silver Age, including changes in the series Green Lantern and the death of the girlfriend of Spider-Man in The Amazing Spider-Man # 121 (June 1973).
Some critics and historians argue that one feature Silver Age was that science fiction and aliens replaced the magic and the gods. Others argue that magic was an important element of both the Golden Age and Silver Age characters., And many Golden Age writers and other artists were fans of science fiction or professional writers of science fiction that incorporates elements of SF in his comic stories. Science was a common explanation for the origin of the heroes of the golden age.
The Silver Age coincided with the emergence of Pop Art, an art movement using popular cultural artifacts, such as advertising and packaging, as background material for a fine, or a gallery-exhibited, art. Roy Lichtenstein, one of the painters most famous pop art, specifically chose individual panels of comic books and paint the images, modify some extent in the process, but even the word painting and thought balloons and captions, as well as enlarged color point scale imitating the coloring process are then used in comic strips of newsprint. An exhibition comic book art was held at the Musée des Arts Décoratifs Louvre Palace in 1967, and the books were published before serious discussions contained art of comics and the nature of the medium.
In January 1966, a live action TV Batman show premiered with high ratings. Like Pop art the show was comic tropes and reenvisioned in the context of a different medium. narration for each episode articulated the words of comic book titles, while that the fight scenes had sound effects like "Biff", "Bam" and "Pow" appear on the screen visual effects, written in letters Cartoon large. The circulation of comic books in general and of goods, in particular, Batman soared. Other masked or adventurers superpowers appeared on the TV screen, so that "the U.S. television in the winter of 1967 seemed to consist of little more than animated action live and animated cartoon heroes, all in bright colors. "Existing comic book publishers began to create superhero titles, like new editors. In the late 1960s, however, the fashion was gone, and in 1969 the best selling comics in the United States was not the number of superheroes, but the book teen humor Archie.
Artists
creators Further information: List of Silver Age comics
Arlen Schumer, author of The Silver Age of Comic Book Art, Carmine Infantino Flash highlights the incorporation of the design of the time: "so sleek and aerodynamic fins Detroit was sporting on all models. "Other notable artists of the period include Gene Colan, Steve Ditko, Gil Kane, Jack Kirby, Joe Kubert, and Curt Swan.
Two artists who changed the industry comic dramatically in the 1960s were Neal Adams, considered one of the greatest cartoonists, and Jim Steranko. Adams advance design is based on and rendering. Best known for the return Batman to his dark roots after the success of the camp Batman TV series, his realistic portrayals of the anatomy, faces, gestures and habits changed comics "in a way that Strausbaugh is reflected in modern graphic novels.
The cover of Nick Fury: Agent of SHIELD # 7 (December 1968) by Jim Steranko. His art has a large debt to Salvador Dal.
One of the few artist-writer of the time, Steranko made use of a style cinematic narrative. Strausbaugh credited as one of the strongest creative forces of Marvel during the 1960s, his art, owing a great debt to Salvador Dal. Steranko initiated by inking and pen the details of the illustrations Kirby Nick Fury, Agent of SHIELD from Tales # 151 Strange, but Strange Stan Tales # 155 Lee had put in charge of both writing and drawing the adventures of Fury. Exaggerated stories spy James Bond style, introducing the vortex beam (raising objects), hoarse pump (operating in silence), a miniature electronic absorber (which protected the fury of electricity), and the Q-ray machine (one molecular disintegrator) ll in its first 11-page story.
Top 20 Comics
From 2008, the collection of comics silver age was increasing. Possible reasons are some Golden Age comics are becoming too expensive or that the baby boomers fondly remember the comics from his youth. Amazing Fantasy # 15, the appearance of Spider-Man, is considered the "holy grail" of the Silver Age comics. The Official Guide Overstreet Comic Book Price # 38 (2008) lists the following 20 comics as the most sought after by collectors:
Title
Question
Editor
Relevance
Amazing Fantasy
15
Wonder
First appearance of Spider-Man
Showcase
4
DC Comics
First appearance of Barry Allen as the Flash
Fantastic Four
1
Wonder
First appearance of the Fantastic Four
Amazing Spider-Man
1
Wonder
Spider-Man gets his own series
Helmet
1
Wonder
First Appearance Hulk
X-Men
1
Wonder
First appearance of X-Men
Showcase
8
DC Comics
Second Silver Age Flash appearance
Travel in mystery
83
Wonder
First appearance of Thor
Showcase
9
DC Comics
Lois Lane starred in her own adventure
The Flash
105
DC Comics
First comic book from Flash Flash Comics was canceled with The # 104
SUSPENSE ACCOUNT
39
Wonder
First Appearance Iron Man
Brave and the bold
28
DC Comics
First appearance of the Justice League of America
Adventure Comics
247
, DC Comics
Superboy meets the Legion of Super-Heroes
League American Justice
1
DC Comics
First Edition
Showcase
22
DC Comics
First appearance of Silver Age Green Lantern
Fantastic Four
5
Wonder
First appearance of Dr. Doom
Tales to astonish
27
Wonder
First appearance of Hank Pym
Fantastic Four
2
Wonder
Second appearance of the Fantastic Four, the first appearance of Skrulls
Green Lantern
1
DC Comics
First issue
Amazing Spider-Man
2
Wonder
First appearance of the Vulture
Action Comics
252
DC Comics
First appearance of Kara "Supergirl" Zor-El
See also
Golden Age of Comic Books
Bronze Age of Comic Books
Modern Age of Comic Books
Footnotes
^ Legend apocryphal account that in 1961, on time and Atlas publisher Martin Goodman was playing golf with either Jack Liebowitz or Irwin Donenfeld of rival DC Comics (then known as National Periodical Publications), which boasted of successful CD with the Justice League, which debuted in The Brave and the Bold # 28 (February 1960) before moving to its own title.
Film producer and comics historian Michael Uslan later contradicts some details, while supporting the framework of the story:
Irwin said he never played golf with Goodman, so the story is false. I heard this story a couple of Sometimes while sitting in the dining room on the avenue 909 AD Third and 75 Rockefeller Plaza office and production Sol Harrison and [chief] Jack Adler were schmoozing with some of us … DC working for the university during the summer …. [T] he way we heard the story of Sun is that Goodman was playing with one of the leaders of Independent News DC Comics (though DC owned Independent News). … As a distributor of DC Comics, this man certainly knew all sales figures and was in the best position to tell this morsel to Goodman. … Of course, Goodman wants to be playing golf with this guy and be in his grace. … Sun worked closely with senior management Independent News' for decades and have achieved this story straight from the horse's mouth.
Notes
^ Reynolds, Richard. Super Heroes: A Modern Mythology (1994), University Press of Mississippi p.8-9. ISBN 0878056947
Abc ^ Alter Ego vol. 3, # 54 (November 2005), p. 79
^ Abcde Mooney, Joe (April 19, 1987). "It's No Joke: Comic Books can help children learn to read." Seattle Post-Intelligencer. http://seattlepi.nwsource.com/archives/1987/8701100104.asp. Retrieved on 23/09/2008.
ABCDEFGHI ^ Strausbaugh, John (December 14, 2003). "ART, 60 of Comics: Sad, seedy, and" Superior. The New York Times. http://query.nytimes.com/gst/fullpage.html?res=9A0CEED81E3DF937A25751C1A9659C8B63. Retrieved on 06/28/2008.
^ On the street, Robert M. Official Overstreet Comic Book Price Guide 38th edition New York: 2008 (Glossary Pages1026-1031) page 1026
^ "In graphic terms …". The San Diego Union-Tribune. July 17 2006. http://www.signonsandiego.com/news/features/20060717-9999-mz1c17terms.html. Retrieved on 23/09/2008.
^ CBR News Team (July 2, 2007). Flashback DC: The Flash. "Comic Book Resources. Http://www.comicbookresources.com/?page=article&id=10649. Retrieved on 27/06/2008.
^ Zicari, Anthony (August 3 2007.) "Breaking the boundaries – Rants and Ramblings." Comics Bulletin. http://www.silverbulletcomics.com/news/story.php?a=5706. Retrieved on 27/06/2008.
Abcdefghi ^ Jacobs, pp. 3-1985 4Jacobs
Abc ^ Nash, Eric (February 12, 2004). "Julius Schwartz, 88, who revived the Editor of the superhero genre in comics. "New York Times. http://query.nytimes.com/gst/fullpage.html?res=9E0DE2DC133AF931A25751C0A9629C8B63. Retrieved on 23/09/2008.
Pethokoukis ^ ab, James (February 26, 2004). "Flash Facts." U.S. News and World Report. http://www.usnews.com/usnews/tech/nextnews/archive/next040226.htm. Retrieved on 27/06/2008.
Abc ^ Janulewicz, Tom (February 1, 2000). "Gil Kane, Space-Age Comic Book Artist, dies." Space.com. http://www.space.com/sciencefiction/gil_kane_000201.html. Retrieved on 27/06/2008.
^ Ab Singer, Matt (June 27, 2006). "Returns Superfan." Village Voice. http://www.villagevoice.com/2006-06-27/books/superfan-returns/. Retrieved on 23/09/2008.
^ Shaw, Scott (September 22, 2003). "Oddball Comics." Comic Book Resources. Retrieved on the 20/10/2003. http://web.archive.org/web/20031020180208/http://www.comicbookresources.com/columns/oddball/index.cgi?date=2003-09-22. Retrieved on 2008-09-04.
Abcd ^ Shutt, Craig. Baby Boomer Comics: Comic Books The Wild, Wacky, wonderful in the 1960s! (Krause Publications, Iola, Wisconsin, 2003), p. 21. ISBN 0-87349-688-X
^ Grant, Steven (February 18, 2004). "The permanent damage." Comic Book Resources. http://www.comicbookresources.com/?page=article&id=14633. Retrieved on 2009-02-20.
^ St. Louis, Hervé (October 9, 2005). "It is a spearhead of DC Comics New Era in Comics superhero?". Comic Book Bin. http://www.comicbookbin.com/comicbookrevival001.html. Retrieved on 2008-07-15.
^ Reif, Rita (October 27, 1991). "Read Antiques Collectors Base Lines of Vintage Comic Books. "New York Times. http://query.nytimes.com/gst/fullpage.html?res=9D0CEEDD1E3EF934A15753C1A967958260. Retrieved on 03/02/2009.
^ Abc Stan Lee, Origins of Marvel Comics (Simon and Schuster / Fireside Books, 1974), p. 16
^ Mark, Norman. "New Super-hero is a guy Kinky enough. "Eye Magazine, Hearst Corporation, vol. 2, # 2 (February 1969). Reprinted in Alter Ego # 74 (December 2007), pp. 16-25
Ab ^ O'Neil, Keith (September 27, 2007). "The history of comics. Keene Equinox. http://media.www.keeneequinox.com/media/storage/paper537/news/2007/09/27/AE/The-History.Of.Comics-2993374.shtml. Retrieved on 2009-01-29.
Abc ^ Sanderson, Peter (October 10, 2003). "Comics in Context # 14: The continuity / discontinuity." IGN. http://comics.ign.com/articles/595/595576p1.html. Retrieved on 2009-02-20.
Abc ^ O'Shea, Tim (February 2, 2004). "Fun with Mr. Silver Age: Craig Shutt. Comics Bulletin. http://www.comicsbulletin.com/features/107577856868634.htm. Retrieved on 2008-06-30.
^ Abcde Jackson, Kathy Merlock, Mark D. Arnold (2007). "Baby-Boom Children and Harvey Comics After the Code: A neighborhood of Girls http://www.english.ufl.edu/imagetext/archives/v3_3/jackson/ and children. "ImageText (University of Florida) ..
Abcd ^ Weiland, Jonah (July 15, 2003). "'Mighty Crusaders: Origin of the ships of a Super-Team' in November." Comic Book Resources. https: / / www.comicbookresources.com/?page=article&id=2390. Retrieved on 02/02/2009.
^ For bibliographic information, see listings by title by Robert Overstreet, infra.
^ For specific information about these publications, bibliographies, see listings by title by Robert Overstreet, infra.
^ Ault, Donald (2004). "Prelude: Barks Crumb, and Noomin: Re-Considering the aesthetic of underground comics. "ImageText (University of Florida). Http://www.english.ufl.edu/imagetext/archives/v1_2/intro.shtml.
Ab ^ Heer, Kune (September 28, 2003). "Free Mickey!". The Boston Globe. http://www.boston.com/news/globe/ideas/articles/2003/09/28/free_mickey/. Retrieved on 02/02/2009.
^ Keys, Lisa (April 11, 2003). "Drawing The Middle East peace." The Forward. Http: / / www.forward.com/articles/8598/. Retrieved 2008-12-22.
^ Wood, Beth; Jerry McCormick (July 17, 2006). "In graphic terms …". The San Diego Union Tribune. Http://www.signonsandiego.com/news/features/20060717-9999-mz1c17terms.html. Retrieved 2008-12-22.
^ Radfored, Bill (April 26, 2000). "What to look back to the Silver Age of comics." La Gaceta. http://www.accessmylibrary.com/coms2/summary_0286-7282623_ITM. Retrieved on 27/06/2008.
^ Jacobs, p. 154Jacobs 1985
Abc ^ Blumberg, Arnold T. (Fall 2003). "'The Night Gwen Stacy Died:" The end of innocence and the birth of the Bronze Age. "Reconstruction: Studies in contemporary culture. ISSN 1547-4348. http://reconstruction.eserver.org/034/blumberg.htm. Retrieved on 2009-02-20.
Abcd ^ Scott (September 16, 2008). "Scott's Corner Classic Cartoons: a new ending to the Silver Age Pt 1". Comic Book Resources. http://goodcomics.comicbookresources.com/2008/09/16/scotts-classic-comics-corner-a-new-end-to-the-silver-age-pt-1/. Retrieved on 23/09/2008.
^ Scott (18 September, 2008). "Scott Classic Comics Corner: A new ending to the Silver Age Pt 3". Comic Book Resources. http://goodcomics.comicbookresources.com/2008/09/18/scotts-classic-comics-corner-a-new-end-to-the-silver-age-pt-3/. Retrieved on 23/09/2008.
Abc ^ Sanderson, Peter (2004). "Comics in Context # 33: A boat filled with monsters and the Miracles." IGN. http://comics.ign.com/articles/595/595589p6.html. Retrieved on 2008-07-15.
↑ See, for example, Robbins, Trina. From Girls to Grrrlz, Chronicle Books, San Francisco, 1999, pp. 45, 52-54, 67, 69-70, and 76-7 all
^ Callahan, Timothy (06/08/2008). "In Defense of superhero comics." Comic Book Resources. http://www.comicbookresources.com/?page=article&id=17623. Retrieved on 2008-09-05.
^ Dick O'Donnell: "It's magic," Comic Book, Arlington House, 1973, revised edition Krause Publications, 1998
^ By Jerry Siegel, Joe Shuster and Jack Kirby as fans of science fiction, see Benton, Mike, Masters of the Imagination, Taylor Publishing, 1994, pp. 17-18, 28, of Otto Binder and SF fan and writer, see Steranko Jim, The Steranko History of Comics 2, Supergraphics 1972.
^ Jules Feiffer, large comic book heroes, Dial Press, 1965, pp. 22-23
^ Pierre Couperie, Maurice Horn et al. Comic Story, translated from French by Eileen Hennessy (Crown Publishing: New York, 1968) and George Perry and Alan Aldridge, The Penguin Book of Comics, Penguin Books (1967). See especially the forward, introduction and chapters 10-12 Couperie et al, and Chapter 6 of Perry and Aldridge.
^ Ronin Ro, Tales to astonish (Bloomsbury Publishing, 2004) pp. 110-111.
^ Perry and Aldridge, above, p. 224
^ Robbins, above, p. 69.
^ "Excellent record of the silver age superheroes." Canberra Times. 17 January 2004. http://www.accessmylibrary.com/coms2/summary_0286-20016738_ITM. Retrieved 06/28/2008.
Ab ^ Baker, RC (November 18, 2003). "America Gods." Village Voice. http://www.villagevoice.com/news/0347, Baker, 48773.1. html. Retrieved on 06/28/2008.
Ab ^ Grant, Steven (April 5, 2000). "The 04/05/2000 Master of the obvious. "Comic Book Resources. http://www.comicbookresources.com/?page=article&id=13276. Retrieved on 23/09/2008.
^ Ab Jacobs p. 144Jacobs 1985
^ "Silver Age Units weekly auction of Heritage." DiamondGalleries.com. August 20, 2008. http://scoop.diamondgalleries.com/public/default.asp?t=1&m=1&c=34&s=262&ai=73554&arch=y&ssd=8/20/2008 12:01:00 PM. Retrieved on 14/03/2009.
^ "Amazing Fantasy # February 15 CGC 8.5 in ComicLink / March Highlights auction." DiamondGalleries.com. January 22, 2009. http://scoop.diamondgalleries.com/public/default.asp?t=1&m=1&c=34&s=262&ai=79136&arch=y&ssd=1/22/2009 12:01:00 PM. Retrieved 14/03/2009.
^ Overstreet, Robert (2008). The Official Guide # 38 Overstreet Comic Book Price. New York: Random House. pp. 154. ISBN 0375722394.
^ Sinclair, Tom (June 20, 2003). "Even a wonder!". Entertainment Weekly. http://www.ew.com/ew/article/0,, 458355_2, 00.html. Retrieved 1/2/2009.
^ Michael Uslan letter published in Alter Ego # 43 (December 2004), pp. 43-44
References
^ Jacobs, Will; Gerard Jones (1985). The heroes of the comic: From Silver Age to the present. New York, New York: Crown Publishing Group. ISBN 0517554402.
External Links
Silver Age – Television Tropes and Idioms
Page Comic
Sullivan, Missy. "Adviser Soapbox: Hit comic superheroes six figures," Forbes.com, April 22, 2005
EV
Comics: Genres and issues
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Studies
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Categories: History of Comics | Silver age | Silver Age of comics About the Author

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Scary Ghost Pictures part 2