http://www.free-cartoons.org/free-cartoon-brushes/
On copyright, the creative experience and graphic designers
There it is – the young art student – in the corner, wearing a slouch, worn blue jeans and a faded shirt t ironically, standing in front of the paintings presented to show the class this month, big, blue, science fiction landscapes, which, from a distance, they are beautiful. They look heavenly, undulating landscape space of sky and stars.
But the five-step decision closer and the illusion fades. He is on the corner, yes, but the slouch is concerned – that would be more comfortable from the foot. His faded jeans? Brand new, but problems. Your ironic t-shirt? What more noble a plate indie creed? It was on sale at Urban Outfitters down the street for a month. And the pictures – the pictures! Of nearby, they are displayed as raw examples of the prints featured in the Salvador Dalí favorable calendars sold in Barnes and Noble: forced line, the colors of clay some interesting ideas.
What is offensive is not the young student attitudes, at least he is trying to do something with his image. And the paintings, while is wrong, are not so bad that his art school scholarship would be threatened. No, what is most worrying is that he does not know that it is raising, not known to the elements is so carefully cultivated as "your account" are not. It is oozing "originality" in the most culturally acceptable way, perhaps the only So you know: this purchase.
The shelves of the products that our young hero in his spare time traveling, all copyright, patent, or otherwise "pre-approved" to eat – you will feel like you have freedom of choice, whereas, in fact, their freedoms are limited. "Have a problem? Using Creams for the face. Buy a car. Use these blue jeans. "
These are your only options. We should feel sorry for him – after all, Pasadena has lived all his life, he does not know. This is what he thinks is nervous. Because he likes, he is satisfied with what you have. But because he is young, is a little too proud. More seasoned personalities whisper to each other: his shirt, which was white? With a caricature of a red-bearded young man, holding close to their seven bottles of bear, stating, "Meal Irish seven-course?" Done. His blue jeans? $ 700, was lost in all the right places, do not connote life without compunction. Oh, no, screaming: "Mom buys my clothes!" And the art. O God, art.
What can save our young hero, also extended sitting sessions with Roland Barthes or concentrated perusals Federico Jamison (both of which are, for the most part, impossible to understand at an age so)? What can pull away the cover of ignorance, the liberation of the young artist who most hated of claims – gained? Ready? Here comes the answer – and Not drugs, religious experiences, or travel the world. The answer is that you must study and learn the copyright laws of the United States.
And to know the copyright laws of the United States, you must first know what is a copyright. Here are simple definitions, according to onelook.com:
# Name: a document to grant exclusive right to publish and sell literary or musical or artistic
# Verb: to ensure a copyright in a work written
Why is a knowledge of the legal origin of copyright important for a young artist? Because to create a good artist must know what much as possible about their tools. This means not only the origin of fine bristle brush or interesting in the history of the chemistry of pigments, but to examine the tools and social policies that allow it to function as an artist in the United States in 2007.
Thus, while copyright is not as glamorous as brushes or paint is no less important. For the law of copyright in the secret of what to do next. And what of America to do after that is done? They sell. Them horde. And, in turn, are greedy, they hide … While squirreling away money is a good idea, hiding the creative production is not. Keep wires hidden creative problems such as – overconfidence our hero too little. our hero's problems derive from this ignorance – for, despite its luxury education, which is creative ignorant – many things have remained in his eyes.
But wait! you say. No doubt, it is your responsibility to educate yourself! There are libraries, public exhibitions, and teachers.
Of course, these are necessary elements in educating anyone. But our hero can not own a personal book library, outdoor concerts, or the mind of a great teacher, and the relative lack of availability of works of art owned by a lazy attitude encourages to authenticity. Under the law of copyright, too, lies a history of the artist's role within the American Society, a role our hero wanted to play, desperately, for many years. Is not it also their responsibility to know your legal rights? Unfortunately, our hero does not know about the Berne Convention in Switzerland, in 1886. Led by the most diligent, more sympathetic to the writers Hugo, Victor. He does not know Hugo's obsession with the droit d'auteur. He does not know most of their European and Asian contemporaries not only take into account intellectual property more important than money, but Artist's condition is socially more powerful than the employer. He does not know that Europe and Asia have historically made political concessions to facilitate creativity of its artists. Or that the United States joined the Berne Convention until nearly a hundred years after its creation – March 1, 1989.
Here is another thing he does not know: the laws of copyright in the United States, had, until 1989, has focused on keeping private intellectual property in order to facilitate economic growth. In other words, U.S. copyright law has historically been a monetary issue, not a creative … So the shelves of products posing as freedom as an option.
And here's something more: thanks to the acceptance of the Berne Convention, which decreed that the work belongs to its creator as soon as the establishing, without having to fill out government forms, the tide is changing.
And finally, another fact: the most notable example of progressive copyright translation in the United States is the group called Creative Commons. Creative Commons gives artists the necessary information and encouragement for their work is not squirrels away with the fear that someone might steal their ideas, but rather, to share and remix their work with the work of others.
And now, a theoretical leap: This is a necessary step in the slope of a referral to be truly postmodern. (Ugh, but why postmodern? Is not it old hat? Contraire AU).
The hallmark of postmodernism is the desire to combine. And we are at a cultural moment in history where the only thing left to do is combine. Not that there's anything wrong with that. Marcel Proust, that most beloved of all writers neurotic as a child said she could not name one as your favorite color, but rather, it was found with the greatest pleasure in their combinations. And all postmodern art is a hybrid – a bit of this, a little of that – which in turn encourages the creation of global I – a lot less offensive ego that the current self in our young hero at the beginning of this article.
Some say the beginning of the Enlightenment was through the creation of mirrors produced factory, allowing even the most plebeian lifestyle see themselves as individuals. But today, not looking in the mirror for reflection accurately. In contrast, look at the computer monitor. Our thoughts, words and images, regardless of the original source, creating a collective brain, which can be exploited more strength through understanding of an artist's copyright. And although science is beginning to consider human beings in a similar way – the millions of people who populate Earth is really a single organism, breathing human membrane, if you will, that covers our planet, floating, blue and bulbous, like a helium balloon floating around of the Milky Way.
That brings us back to the work of our hero. Remember? The large swaths of sky blue and the stars looked so good since distance? Turner does he know? And if it did, I would not be your nasty break up, leaving him – his ideas and his work – back to do the talking. And it would not be his art – our art – be improved?
About the Author
Jessica Thomas, writer for jungle [8]
http://www.jungle8.com
http://blog.jungle8.com
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